Hackensack, New Jersey, October 30, 1958. ![]() The title selection is a pure tuneful melody stewed in a bluesy shuffle penned by pianist Bobby Timmons, while tenor saxophonist Benny Golson’s classy, slowed ‘AlongCame Betty’ and the static, militaristic ‘Blues March’ will always have a home in the repertoire of every student or professional jazz band. His fellow Messengers, in addition to Blakey, were bassist Jymie Merritt, tenor saxophonist Benny Golson, and trumpeter Lee Morgan, who virtually stole the show with his bold, swaggering solo. ![]() There are three tracks that are immortal and will always stand the test of time. 'Moanin'' was written by pianist Bobby Timmons, who was a member of Art Blakey's Jazz Messengers when they recorded it in 1958. Nastos gave the album a five-star rating in All Music Guide, stating that “Moanin’ includes some of the greatest music Blakey produced in the studio with arguably his very best band. Discover all Art Blakey and the Jazz Messengerss music connections, watch videos, listen to music, discuss and download. “The session racks up a self-challenging achievement”, wrote Leonard Feather, “by starting right out with a climax, for it would be difficult to improve on the groove established by Bobby Timmons’ composition ‘Moanin’’.” Michael G. Art Blakey and the Jazz Messengers - Samples, Covers and Remixes on WhoSampled. ![]() The first choice had been to have the LP self-titled, but the instant popularity of Bobby Timmons’ “Moanin’”, which was the album’s first track, led to it being given that title. "Moanin’" was Art Blakey’s first album for Blue Note in several years, after a period of recording for a miscellany of labels, and marked both a homecoming and a fresh start.
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